Raghav Handa’s TWO – An intergenerational bromance between a musician and a dancer
Central to traditional Indian Kathak (pronounced ‘Kah-tahk’), the dancer must never touch the drums. The musician commands and the dancer must follow. That’s the rule. But what happens when roles are
reversed
and the dancer takes control? Dancer Raghav Handa and maestro tabla musician Maharshi Raval’s rule-breaking, intergenerational